The Bowery Hotel
The downtown counterpart with old-world glamour — where The Mercer is minimalist, the Bowery is richly textured, but both define celebrity hospitality.
Andre Balazs' minimalist masterpiece at 147 Mercer Street — a SoHo landmark where loft-style luxury, Jean-Georges Vongerichten's Mercer Kitchen, and unparalleled celebrity discretion have made it the ultimate downtown hideaway since 1997.
The Mercer Hotel's opening in 1997 was a defining moment in the cultural history of SoHo and in the evolution of the boutique hotel concept. Hotelier Andre Balazs chose a magnificent six-story Romanesque Revival building at the corner of Mercer and Prince Streets — the geographic heart of SoHo — and transformed it into something that had never quite existed in New York: a hotel that felt less like a place to stay and more like a private loft apartment belonging to the most stylish person you could imagine. The 75 rooms were designed with the same spare, high-ceilinged minimalism that defined SoHo's converted artist lofts, but with the kind of meticulous luxury — Egyptian cotton sheets, custom Christian Liaigre furniture, marble bathrooms with oversized tubs — that made the experience extraordinary.
The Mercer arrived at precisely the right moment. SoHo in the late 1990s was completing its transformation from an artists' neighborhood into the global capital of fashion retail and downtown cool. The neighborhood's cobblestone streets were lined with galleries and designer boutiques; its cast-iron buildings housed the most photographed people in the world. The Mercer Hotel became the natural headquarters for this world. Its lobby, deliberately understated with its whitewashed brick and leather furniture, became a gathering place for fashion editors, gallery owners, and models between shows. Its corridors buzzed with the quiet energy of creative industries converging in the most coveted zip code in Manhattan.
Jean-Georges Vongerichten's Mercer Kitchen, located in the building's atmospheric basement space, extended the hotel's influence beyond its guest rooms. The restaurant's industrial-chic design — exposed brick, communal tables, an open kitchen — and its refined French-Asian menu made it a SoHo dining destination that drew locals and visitors alike. Leonardo DiCaprio was known to use The Mercer as his unofficial New York headquarters, holding court in the lobby and dining regularly at the Mercer Kitchen. Russell Crowe famously stayed at the hotel during extended New York visits. Calvin Klein, who lived nearby and embodied the same minimalist aesthetic, was a regular presence. The Mercer became not just a place where celebrities stayed, but a place that shaped the very idea of what celebrity cool looked like in downtown New York.
In the wake of "Titanic" mania, Leonardo DiCaprio adopts The Mercer Hotel as his primary New York residence, spending extended periods in its loft-style suites and becoming a regular fixture at the Mercer Kitchen. His presence — and the paparazzi who inevitably follow — establishes the hotel as ground zero for celebrity culture in SoHo. DiCaprio's choice of The Mercer over more traditional uptown hotels signals a shift in how young Hollywood relates to New York City.
Russell Crowe, fresh off his Academy Award win for "Gladiator," becomes a regular long-term guest at The Mercer, drawn by its privacy and its proximity to the downtown scene he prefers over Hollywood. His presence highlights the hotel's appeal to actors who see themselves as artists rather than celebrities — the kind of talent that values the Mercer's understated sophistication over the gilded grandeur of uptown alternatives.
The Mercer solidifies its reputation as the unofficial headquarters of New York Fashion Week. Calvin Klein, Marc Jacobs, and a constellation of designers, editors, and supermodels converge on the hotel during the biannual shows. The Mercer Kitchen becomes the most sought-after dinner reservation in the city during Fashion Week, with the basement restaurant serving as an informal meeting place where industry deals are made and creative partnerships forged over Jean-Georges' cuisine.
Kanye West uses The Mercer Hotel as a base during an extended creative period in New York, holding meetings and listening sessions in its suites. West's presence underscores the hotel's evolution from purely a fashion-world destination to a broader creative hub, attracting musicians, visual artists, and designers who share the hotel's commitment to aesthetic minimalism and downtown authenticity. Mary-Kate Olsen is also frequently spotted in the lobby during this period.
The Mercer Hotel marks over two decades as SoHo's preeminent celebrity destination, having outlasted countless trendier openings to maintain its position as the hotel of choice for celebrities who value substance over flash. The Mercer Kitchen continues to draw notable diners, and the hotel's lobby remains the most atmospheric meeting spot in the neighborhood. Its endurance proves that genuine style, unlike fashion, does not go out of date.
The Mercer Hotel's minimalist aesthetic and SoHo location have made it a natural filming location for productions seeking to capture downtown New York sophistication. The hotel has appeared in "Gossip Girl", where its SoHo setting and celebrity associations align perfectly with the show's portrayal of New York's glamorous young elite. The Mercer Kitchen has been featured in food and lifestyle programming, including segments on "Anthony Bourdain: No Reservations" that explored the intersection of celebrity culture and downtown dining.
The hotel has served as a backdrop in several independent films and has been referenced in "Sex and the City" as the kind of downtown establishment that Carrie Bradshaw's world would naturally orbit. Fashion documentaries frequently feature The Mercer as a location, given its central role in the industry's New York ecosystem. The building's Romanesque Revival exterior has appeared in "The Devil Wears Prada" and other films set in New York's fashion world. During Fashion Week, documentary crews regularly capture scenes of models and designers entering and leaving the hotel, cementing its visual identity as the epicenter of downtown fashion culture.
The downtown counterpart with old-world glamour — where The Mercer is minimalist, the Bowery is richly textured, but both define celebrity hospitality.
Andre Balazs' Meatpacking District hotel, the bolder, more exhibitionist sibling to The Mercer's understated SoHo cool.
Keith McNally's SoHo brasserie, the neighborhood's other essential celebrity dining destination just blocks from The Mercer.
The Mercer Hotel is popular with celebrities for its prime SoHo location, minimalist loft-style design that feels like a private apartment, exceptional privacy with discreet staff, and the presence of Jean-Georges Vongerichten's Mercer Kitchen. Its understated luxury appeals to celebrities who want to blend into the downtown fashion scene, and its small size of just 75 rooms ensures a level of exclusivity that larger hotels cannot match.
The Mercer Kitchen is the restaurant in the basement of The Mercer Hotel, created by celebrated chef Jean-Georges Vongerichten. It features industrial-chic design with exposed brick, communal tables, and an open kitchen, serving a French-Asian fusion menu that has made it a SoHo dining destination since 1997. The restaurant is as famous for its celebrity clientele as its cuisine.
The Mercer Hotel has hosted Leonardo DiCaprio (who famously used it as his New York base), Russell Crowe, Calvin Klein, Kanye West, Mary-Kate and Ashley Olsen, Kate Moss, Marc Jacobs, and countless fashion designers, supermodels, and film stars. During Fashion Week, the hotel becomes an unofficial industry headquarters with designers, editors, and models filling both the rooms and the Mercer Kitchen.